Bridge Builders

Author’s note: I’ve been publishing my new book, JOYFull Horses in this blog.  This post is different.  July was packed with great training adventures.  I wanted to share, so this is a slight divergence from the JOYFull Horses posts.  Enjoy!   Alexandra Kurland

balsa wood bridge 1

Bridges
When I was in eighth grade, my science teacher set up a competition in the class.  Given the same components (balsa wood and toothpicks) each student was to build a bridge which would then be tested with progressively heavier and heavier weights to see which bridge was the strongest.  It was a great assignment.  Or it would have been except the competition was open only to the boys in the class.  What did the girls do instead?  Our assignment was to create a stain booklet showing how best to remove different types of stains from soiled clothing.

This sounds like the dark ages, but it was really not that long ago.  I’ve been thinking about that science teacher this week because of the Democratic National Convention.  I was traveling last week so I missed most of the Republican convention, or I would have been writing about that, as well.  I’m one of those people who actually enjoys listening to political speeches (at least the well-crafted ones).  I like talking about politics, even  – and especially – with people who have views that differ from my own.  I try not to mix too much politics into what I write about horse training, but every now and then it is important to pause for a moment and step outside the barn door.

One of the clips the news feeds played from Tuesday night’s roll call vote was that of a delegate who was 102 years old.  She was born before women had the right to vote.  That stopped me in my tracks.  I know the 19th Amendment granting women the right to vote was ratified in 1920, but that’s just an abstract date.  Hearing her speak made me realize that there are many women alive today who were born into a world in which their mothers were not allowed to vote.  It brought home to me how recent these changes really are, and how important it is that finally, finally we have a woman nominated to run for president of the United States.

Whatever you may think of Hilary Clinton, however you are planning on voting in the fall, this is a milestone that is worth celebrating.

In eighth grade the boys in my class took shop.  They learned how to work with power tools.  The girls took home economics.  We learned how to cook what was at the time considered a healthy meal: chicken ala king – essentially a can of cream of chicken soup poured over chow mein noodles. Curious the things we remember.   We were to fix it for lunch and serve it to the boys in the class.  As a vegetarian, I refused to participate.  I was allowed to skip the preparation of the main dish and was relegated instead to making a salad – iceberg lettuce and tomatoes.    We then had to serve what we had made to the boys in the class.

The message was clear.  The world may have been changing.  Many of our mothers had advanced degrees from universities. They were working outside the home in professional jobs that only a few years before would have been closed to women, but we were still expected to be homemakers not world changers.

The school gave one message.  My family gave me a stronger one.  We can create our own realities.  I wasn’t allowed to build a bridge in that class, but that didn’t keep me from building them later.  You can walk over my bridges without any fear of falling because they are bridges that link what we knew then about how to handle horses with what we know now.

Bridge Builders
This month I had the very great privilege to meet some other bridge builders.  One of the most surprising was a lion trainer I met in Germany.  I’ll bet you weren’t expecting that one!

Anja Beran book coverI’m just back from attending Anja Beran’s annual workshop on classical dressage.  Anja has a long standing relationship with the Krone Circus.  She trains their dressage horses.  The horses stay with her for roughly eight years, and then they are sent to the circus where they continue to perform well into their twenties.  When we walked through the barns at the circus, we saw horses who were 25, 28, even 30 years olds.  They all looked great.  They were a good weight, with healthy backs, clean legs, shiny coats, and brights eyes – and they were all still performing.

That was one of the main messages from both the circus and Anja Beran’s workshop.  When you build a strong foundation for a horse, you will have a horse who can stay sound and in work for many years to come.  This has always been at the core of my work.  My horses are family.  It matters to me that the work I do with them isn’t just for my entertainment.  It has to benefit them, as well.  One thing Anja Beran and I share is a deep understanding that good training helps horses stay sound.  Horses thrive when training is done well.

We hear so many sad stories of competition horses breaking down because they are rushed through their training.  At the circus we met horse trainers who value a good foundation because they love their horses.  Yes, they value performance – but not at the expense of the horses.

We also met Martin Lacey, a trainer who loves lions. In the morning before the circus opened to the public Anja had arranged for us to watch him work with his lions.  I don’t think many of us were truly looking forward to this part of the program.  Yes, it was lions, but we all had images of the old-style circus training with its cracking whips and sad-eyed lions.

Martin Lacey built a bridge for us into another world.  He loves his lions.  That was clear.  He grew up in a family that owned several zoos in the UK. For him lions were part of his family.  That’s how he talked about them.  He had 26 lions and tigers with the circus, and all of them were animals he had known since they were cubs.

lion group grooming at 4.30.28 AM

 

He showed us how he began their training, teaching them a very natural behavior for cats of any size.  He had the lions follow a moving target stick. Correct responses were reinforced with meat held out to them on the end of the stick.

Everything Martin Lacey showed us was so very familiar.  He used mats in very much the same way I use them for the horses.  He arranged the environment so his lions were successful.  He wanted to show people the power and graceful movement of the lions so he taught them to jump from one platform up onto the metal panels of their enclosure and then down to another platform.  In the show it was very dramatic watching lion after lion leaping up onto the side of the enclosure.  They would hang for a moment high over the heads of the audience before jumping down onto the next platform.

Lacey showed us how he taught this behavior.  He begins by having his lions follow a target stick from platform to platform.  When they are confident, eager jumpers, he has them leap from one platform onto a higher one that is hung from the enclosure wall.  As the lions become confident with this jump, he slants the platform down slightly so now they are landing on a sloping surface.  He lets them build their coordination and confidence at this level of difficulty, then he slants the platform down a bit more.  Gradually over time the platform hangs straight down, but now the lions have the strength and the skill to leap directly up onto the vertical wall of the enclosure.  It is just shaping through small approximations, something every good trainer understands.

Some of the behaviors Lacey teaches are based on very traditional circus tricks.  He has his lions sit up on their haunches and swat at the air to show off their enormous claws.  The behavior may be old-style, but how it is taught is not.  When Lacey first teaches his lions to sit up, he provides them with an elevated T bar for them to rest their paws on.  The T bar gives his younger lions the support they need to keep their backs straight while they are developing the strength and coordination to perform this behavior correctly.

lions sitting up 4

The lion to the right of Martin Lacey is using her T bar for support as she sits up on her haunches.  All the lions are orienting to his target stick.

He uses targeting to get them to reach up to the T bar in the first place.  Once they can balance resting their forepaws on the bar, he teaches them to swat one paw at a time at a moving target.  His skill at delivering timely food reinforcers was impressive, but shrink down the size of the feline, and you would see that any of us could teach our family cats this same behavior – in the same way.

In the show some of his lions still had the T bar set up in front of their station for support. With the youngest lions the T was very long giving them plenty of room on which to rest their paws.  The ones who were further along had shorter horizontal bars.  The T bar was gradually being faded out.  In the show many of his lions could balance without needing any support.

To teach his lions to advance towards him as though they were charging, he used multiple mats.  The lions moved from mat to mat to mat.  I had to smile.  I use multiple mats all the time with horses.  When I teach horses to run towards me, to keep things safe as they add speed, multiple mats are a great tool. Predators, prey, it makes no difference. Good training is good training regardless of the species you are working with. One of the hallmarks of good trainers is they are masters at setting up the environment for success.

That was the bridge Martin Lacey was helping us to see.  The planks of his bridge were made from the elements good trainers share.  I know there are many who oppose the idea of keeping any animals  in captivity, especially animals like lions.  That’s a different conversation, one I’ll leave for another time.

For now, given that animals are already under our care, the question becomes: how do we manage them?

If Martin Lacey had come out cracking whips and using intimidation to control his lions, I would be the first to say, absolutely not.  This shouldn’t be.  But that’s not the relationship Lacey has with his lions, and because of that he is an important bridge builder.  He is saying to all of us – look at the connection you can have with these animals, a top predator. It isn’t built out of fear.

If Lacey can create this with these lions, what excuse do we have for using violence to control our horses, our dogs, our children?

I think the jury is still out around the question of should wild animals be kept in zoos and circuses.  Is it fair to them?  What is the benefit to them, to us, to the planet?  Where does the greater good fall?  There are so many ethical questions involved, but one thing that was clear is Martin Lacey’s message is one we all need to hear.  Whatever the species of animal you are working with, the core principles of good training apply.  If he can stand in the center of an enclosure surrounded by lions, with a pouch filled with raw meat at his belt, and control them not through fear, but through understanding, that’s a bridge that is worth standing on.  If he can do it with lions, we surely can do it with each other.

Classical Bridges


Anja beran second book coverAnja Beran is another bridge builder.  Her bridge stretches back centuries to bring classical riding into the modern world.  Her bridge reaches forward into the future as she shows us how the gymnastic exercises developed by the great riding masters can be used for the benefit of horses.  So many of the horses in her barn came to her severely lamed by training.  Draw reins, heavy hands, rushed training – had compromised the soundness of so many of the horses that she presented during the workshop.  With each horse, she showed us how slow lateral work can be used to restore soundness and create performance excellence.

I know there are many people who would say that we should not ride horses at all.  But Anja was showing us something that I also know – good riding heals horses.  Physically, emotionally, good riding is good for horses. I may add the clicker and all that it represents into my training, but at it’s core what we each teach is not that far apart.

The Science Bridge
abc's graphicEarlier in July I also had the honor of spending time with yet another bridge builder, Dr. Susan Friedman.  Dr. Friedman is a professor of Applied Behavior Analysis at Utah State University.  Many of us know her through her presentations at the Clicker Expo, her web site – behaviorworks.org, and her on-line course, Living and Learning with Animals, a course for professional animal trainers and veterinarians.  Earlier in the month Susan joined me at the Cavalia Retirement farm where we co-taught a workshop.

If Anja’s bridge links us to classical dressage, Susan’s links us to science.  When I watch a trainer like Martin Lacey working with his lions, I am smiling not because he is using feel-good words.  Lots of clinician-showmen know how to hide their actions behind soft words.  I am smiling because I see good training being applied.

What is the measure of good training?  Susan helps us answer that question through her understanding of scientific inquiry.  She reminds us that science is always self-correcting.  What we understood about animal behavior fifty years ago, ten years ago is changing because of the research that is being done. Science connects what I do with my horses to what Martin Lacey does with his lions.  When one of my horses makes a mistake, I don’t punish him with a whip.  I change the environment to make the lesson easier for him to understand.  Martin Lacey does the same thing with his lions.  Why have we both chosen to avoid punishment and maximize positive reinforcement in our training?  Susan’s bridge takes us to that answer.

It’s easy to nod your head and say, yes, yes, of course we should use positive reinforcement, but so often what we have had modeled for us is punishment.  You might be reading this thinking that it’s horrific to have animals in captivity.  What do you do?  What actions do you take?  Do you respond to this post by attacking me?  If so, you are acting like an old-time lion tamer cracking his whip and using punishment to suppress behavior.

Susan built for us a very different bridge.  Throughout the weekend, in so many different ways, through her stories, her teaching, her thoughtful modeling, she showed us how to be completely congruent with the ethics of positive living.  It is all too easy to let a thoughtless word here, a careless action there erode a relationship.  Susan modeled for us so brilliantly how to live a life that leaves people shining.  She takes care to give every individual the positively-oriented support, attention, and modeling they need.  That’s not just a bridge, it’s a gift.

My eighth grade science teacher didn’t build bridges.  Instead he broke them down – literally.  When the boys brought their balsa wood bridges into class, he kept adding weight to them until, one by one, they all broke.

He broke other kinds of bridges.  For many in that class he broke the bridge into the sciences.  And most importantly he broke the bridge into kindness.  The behavior he modeled was that of a bully.  He used ridicule and punishment to control his class, and he ended up being universally disliked by his students.  He was a dictator not a bridge builder.

In this world we need people who build bridges, not the ones who tear them down.  When you find someone who is a good bridge builder, that is someone you want to get to know better.

Thank you Susan, Anja, and Martin.  I hope life brings me many opportunities to get to know each of you better.

Alexandra Kurland
theclickercenter.com

JOYFULL Horses: Cue Communication Continued – Part 3: The Mounting Block Lesson

In the previous section I described how I taught Peregrine to line himself up to a mounting block.  He was already an experienced riding horse who was familiar with mounting blocks so this was an easy lesson.  I used two targets to bring him into position.  The first brought him to the mounting block and the second took him forward a couple of steps so he ended up positioned exactly where I needed him to be in order to get on.

Capture the Saddle
I teach the mounting block lesson very differently these days.  The lesson is called: “Capture the Saddle”.  (Refer to Lesson 11 in The Click That Teaches DVD Series: “Capture the Saddle”.)  It begins with rope handling and directed learning and ends with targeting.  I teach it in this way because I regard the mounting block lesson as a final safety check before a rider gets on.  The lesson shows how well connected you and your horse are to one another.  BEFORE you get on and need to rely on them for your safety, it confirms that you BOTH know how to communication via the reins and are comfortable with their use.

A horse that has been well prepared with good ground work will breeze through this lesson.  The prerequisite is a lesson that I have named: The “Why Would You Leave Me?” game.  I will refer you to the DVD of that name for the details on how to teach this lesson.  (This is Lesson 5 in The Click That Teaches DVD Lesson Series)

The “Why Would You Leave Me?” Game
The overall description is this: the handler sets out a circle of cones and then leads her horse around the circle.  The basic question is: can the handler let go of the lead/rein and have her horse stay with her like a dog heeling at her side?  Or when she let’s go, does her horse wander off the circle, lag behind, rush ahead, or push into her to cut across her path?  Where is his attention – with her or elsewhere outside of the circle?

Robin wwylm far end collecting 1 at 11.59.50 AM

Robin has his attention on me as we walk around the “Why Would You Leave Me?” circle.

It doesn’t matter if the horse can do this perfectly at liberty, wearing nothing on his head.  Lots of things change when a horse is “dressed” for riding.  The horse that walks beautifully by your side when he’s wearing nothing, may become an anxious freight train when he’s wearing a bridle.

Bridling 2

Some people may jump to the conclusion that a horse who becomes anxious when he’s wearing a bridle dislikes having a bit in his mouth, but that may be a red herring.  If we went back to that horse’s first encounter with a bit, we might discover that he was one of those youngsters who always seemed to have something in his mouth.  His handlers were forever taking lead ropes, brushes, halters out of his reach.  If you left anything close enough to grab, he would have it in his mouth. So when he was offered a bit, there was nothing unpleasant about it.  It was something he could put in his mouth, and finally his people didn’t snatch it away from him!

But then the reality of riding set in.  Riders bounced uncomfortably on his back.  His saddle pinched his shoulders, and worst of all, when he guessed wrong or headed off in his own direction, his riders jerked on the rein so the bit hurt his mouth.  It wasn’t long before someone approaching him with a bridle became a predictor of unpleasant things to come.

Of course, this isn’t the only outcome for riding.  The sight of the bridle can mean a fun clicker game is about to begin.  But for a horse who has been ridden with corrections, the bridle often triggers unpleasant associations.

You could decide to work exclusively at liberty, or you could help this horse out by explaining away his anxiety about halters, leads, bridles, and saddles.  Every time you explain away a fear, you remove a potential source of stress for your horse.  That’s a process that’s worth doing.

Expectations
When I first get on a horse, I like to walk off from the mounting block on a loose rein. (And yes I do use mounting blocks.  I feel very strongly that they are a courtesy to the horse.  They save strain to his back.  You save strain to yours, and you protect your saddle from becoming twisted.)

Icky at mouting block 2 photos at 11.18.23 AM

I want the horse to stand patiently at the mounting block until I signal to him that I am ready for him to walk off.  I’ve watched too many horses who barely let the rider settle into the saddle before they take off.  The rider is snatching up the reins and blocking the horse before they’ve even gone two steps.  The horse protects himself by throwing his head up and tightening his jaw which then hollows his back.  The ride has barely begun, and already they are in a training hole.  It’s a long way from play for either horse or rider.

When I get on, I expect my horse to wait patiently while I get myself organized and settled into the saddle.  I appreciate these good manners, so I always click and treat the horse for standing well.  I’m sure there will be some who feel that the horse should not need to be be reinforced for behavior that he knows well, but I like to say “thank you” by marking good responses with a click and a treat.  It costs so little to maintain this ritual.  I ride with clicker treats at the ready.  Offering one as a thank you takes no real effort, and it means that my horses can be trusted to stand quietly at the mounting block.

When we are ready, I cue the horse to walk off.  I want him to walk off on a loose rein.  On a green horse, this may not be possible.  Two steps on from the mounting block I may be picking up the rein and sliding down asking for the hip, but the goal is to have a horse who leaves the mounting block in an energetic, but relaxed walk.  The reins are long.  I don’t want to be shortening them up and restricting the walk in any way.

This is important.  It gives me time to evaluate how my horse is feeling on that day.  Where is his back?  Does everything feel as it should, or is there a stiffness or an uneven feeling that I need to be aware of?  What is his energy level? How does everything compare to previous rides?  Can I feel the effect of the previous lesson in the start-up?  What is available to me?  What do I need to work on?  As Mia Segal (June 9, 2016 post)  would say, if you know the questions, you have the lesson.

Walking Off Casually and the “Why Would You Leave Me?” Game
Walking off casually gives us time to come together as a riding pair.  It gives me time to evaluate where my horse is on that particular day, both physically and emotionally.  But walking off casually is not a given.  It is something I have actively taught to my horses.  It begins on the ground with the very first leading lesson and is further expanded upon in the “Why Would You Leave Me?” game.

This lesson is best taught on a circle.  Every time the horse takes his focus away from the handler and begins to leave the circle, the handler slides down the lead and brings the horse back onto the circle.  The handler is essentially asking the question: why would you leave me?

This is such an important question to ask.  Are you leaving because the environment is too distracting? In that case perhaps the best option is to move to a less distracting location.  And note the distractions could be from things the horse is afraid of and wants to get away from, such as a tarp that’s come loose over the shavings pile.  Or it could be things the horse wants to go towards, such as grass or his pasture buddies.

Are you leaving because you are so full of energy that you can’t walk at my pace?  Are you leaving because you aren’t balanced enough to stay on a circle?  Are you leaving because you’re afraid of me?

wwylm collage

Robin begins by being momentarily distracted by something out the back door, and ends with some lateral work and a beautifully balanced, connected trot.

These are all questions I want to ask and have answered before I put my bones up on the horse.  That’s the purpose of the “Why Would You Leave Me” game.  The end result will be a horse who walks with you without needing to be held there with a lead.

We begin on a circle so the loop keeps repeating itself.  If your horse tends to crowd into you as you pass by the gate, and you missed noticing until he was already pushing you off the circle, don’t worry.  You’ll come around to that point again, and you will be better prepared to ask for what you WANT him to do.  Eventually,  you’ll be able to leave the set pattern of the circle and walk complex patterns.

In this video Panda shows off her “heeling” skills.  She’s working with Sue Bennett, one of the coaches for my on-line course.  Sue and Panda have just met, but that doesn’t matter to Panda.   She’s happy to stay connected.  Why would you leave me? For no reason at all.

My thanks to my coaches: Michaela Hempen and Asfaloth for the bridling pictures; Monty Gwynne and Icaro for the mounting block; Sue Bennett and Panda for the heeling video (and Ann Edie for letting Sue play with her guide horse); and Robin for the “Why Would You Leave Me?” photos.

Also please note: I am not attempting to provide complete instructions for any of the lessons I have described in this post.  Nor have I detailed how to ride in a way that is clicker compatible.  That’s not the function of these posts.  You will find very thorough instructions in my books, DVDS, and on-line course.  Visit: theclickercenter.com    theclickercentercourse.com

Coming Next: Cue Communication Part 4: Capture the Saddle – A Targeting Game

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “JOY Full Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com

JOYFull Horses: Cue Communication continued

Behaviors Become Cues
In the previous section I wrote about Panda and the guide work she performs.  Just as guide work made the perfect example for understanding environmental cues, it also shows so clearly how this back and forth cue communication works.

 

Panda environmental cues

This is a particularly challenging form of curb for a guide because there is no clear difference between the end of the sidewalk and the start of the driveway, but Panda was always consistent at stopping where she should.  Even when the surface was repaved, changing many of the familiar environmental cues, she was rock solid in her guide work.  The driveway is the entrance to the parking lot for the district school buses so there was always a lot of traffic in and out.  Stopping accurately at this crossing was essential.

 

When Panda gets to a curb, she stops.  If it’s the up curb on the far side of a street crossing, she’ll put one foot up on the curb.  This tells Ann not only that there is some sort of obstacle in front of them, but where to look for it.

Ann finds the obstacle by searching for it with her foot.  She then cues Panda to go forward.  Panda walks on.  Ann may then tell her to trot on with a “hup, hup” verbal cue.  Panda will increase her speed by breaking into a brisk trot.  But she may then stop and pull to the side.  Perhaps a pedestrian is coming in the opposite direction pushing a baby carriage and walking a dog.  There isn’t room to pass, so Panda alerts Ann that there is “a situation” ahead by stopping and moving them over to the edge.

Traffic checks are another great example of cue communication.  It’s up to Panda to alert Ann and either to refuse to go forward, or to back them up out of harm’s way.

In all of these examples Panda is using the behaviors we have taught her in their appropriate context to provide Ann with the information she needs.

Mounting Blocks as Cue Communication
Cue communication can take other more subtle forms.  One of the early behaviors I taught to Peregrine via the clicker was to line himself up to the mounting block.  He was already very good about walking with me to the mounting block and standing quietly while I got on, but I wanted to add a bit of clicker flourish to the behavior.  So I used two targets.  The first brought him to the mounting block and the second took him forward a couple of steps so he ended up positioned exactly where I needed him to be in order to get on.

The targets quickly faded to hand signals. I was able to leave him in the center of the arena, walk the ten to twenty feet over to the mounting block, and call him to me. He would come and line himself up without my having to make any adjustments via the reins.

It became a favorite behavior.  In fact, if I forgot and started to lead him to the mounting block, he would hang back.  How silly of me!  I’d let go of the reins and head by myself to the mounting block.  He’d wait until I signaled to him, and then he’d come directly over and line himself up.

This behavior could always be counted on night after night even in a busy arena.  Peregrine would wait in the middle of the arena while all the other horses went past.  When the coast was clear, I’d cue him to come.  He never wandered off to visit with the other horses or to look for the scraps of hay which could always be found in the arena.  Coming when cued was a consistent, sure-fire behavior – except . . . every now and then he would stall out in the center of the arena.  I’d cue him to come, and he’d just hang back.

I never forced him over to the mounting block.  Instead I checked his feet, I listened for gut sounds, I took his temperature.  Hanging back from the mounting block was his way of telling me that something was wrong.  It was my early warning sign that he wasn’t feeling well.

Trust Your Horse, Trust the Process
I can just hear the harrumphers now.  What nonsense!  All you’re doing is teaching your horse that he doesn’t have to listen to you.  You’re letting him get away with not coming.  You’re rewarding him for hanging back.  You’re just going to get a horse who never goes to the mounting block.

Except that’s not what happened.  I trusted Peregrine, and I trusted the work we were doing together.  I truly believed that riding was fun for him.  He wanted to be ridden.

He showed me this in so many ways.  We’d be working on shoulder-in, adding our clicker bells and whistles to the basic movement.  He’d give me an extra lift through his shoulders, and I’d click and pull a peppermint – his favorite treat – out of my pocket.

He could hear the crinkle of the wrapper as I was undoing it.  Through the saddle I could feel his excitement.  If the paper was very stuck to the peppermint so he had to wait a bit longer than usual, he’d give a soft nicker of anticipation.  Finally!  I’d reach down, and he’d take the treat gently from my fingers.  I’d hear the quick crunch of the candy, and then he’d be ready to move on.  I’d touch the reins and without missing a beat he would pick up into another stride of even more glorious shoulder-in.  How could I not click that!

Of course he loved to ride!  Riding was the ticket to laughter, to lots of praise, to scritches on the neck, and best of all to peppermints!

So on the nights when he hung back, I knew he wasn’t feeling well, and I always listened.  He’d had a long series of serious health issues following a bout of Potomac Horse fever.  I needed this early warning system to be up and functioning so I could monitor his health.

Capture the Saddle
I teach the mounting block lesson very differently these days.  The lesson is called “Capture the Saddle”.  It begins with rope handling and directed learning and ends with targeting.  I teach it in this way because I regard the mounting block lesson as a final safety check before I give the okay for a rider to get on.

A horse that has been well prepared with good ground work, will breeze through this lesson.  The prerequisite is a lesson that I refer to as the “Why Would You Leave Me?” game.  In the next section I’ll describe both these lessons and the reasons for them.

Coming Next: Unit 4: Cue Communication continued: The Mounting Block Lesson

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “JOY Full Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com

 

JOYFULL Horses: Unit 4: Cue Communication

Everything  You Need to Know About Cues
At the end of Part 1 I asked: What are ten things you would want a beginner to know about cues?  That seemed like a simple enough question, but look where it has taken us – to neuroscience and the affective emotional systems, to habits and what maintains them, to TAGteaching and the focus funnel, to guide training for horses, to Feldenkrais work and asking questions, to the Premack principle and the creative use of imagery in training.

All that and we still have only three things on our list:

1.) Cues and commands are not synonyms.
2.) Cues are not just verbal signals.  They can include weight shifts, hand gestures and other body language signals.  
3.) Cues can come from the environment.

And now here’s number 4.) Cue Communication

Icky mounting block - hands up

Cue Communication
We tend to think of cues as coming from us, but cues can also be given by our animals.  The behaviors we teach them can be turned around and used by them to communicate back to us.

When we recognize that cues are a two way street, we become much more aware of what are animals are trying to communicate to us.

Panda was the poster child for environmental cues.  She can serve the same function for cue communication.  Guide work is dependent upon the back and forth exchange of cues.  I described earlier Panda’s traffic checks.  That’s a great example both of environmental cues and cue communication.  The moving car is the signal for Panda to stop and back up.  Her actions cue Ann.  Ann must interpret Panda’s sudden change of behavior correctly and allow her to move her out of harm’s way.

 

Everyday Conversations
Good training is about cue communication.  It’s a two way street.

When novice trainers first encounter cues, they often think that they are something only they give.  Most of us have spent time around dogs, either our own or a friend’s.  We’re used to telling dogs to sit, to lie down, to come, to leave it!  These are all cues (or possibly commands – depending upon how they were taught) that we’re giving to the dog.

But what about that sad-eyed look the dog is giving you that gets you to stop working on the computer, get up, walk to the coat closet, put on your jacket and your outside shoes, take the leash off the hook where it’s hanging, attach it to your dog’s collar, open the back door and take him out for a walk.  That was quite the complex chain the dog set in motion just by raising his eyebrows and giving you “that look”.

He probably further cued the internal components of the chain by jumping up, wagging his tail, running to the back door, sitting quietly while you put on shoes and jacket and attached the lead.

Back and forth throughout this sequence there was a dance of cues.  Some were given by you, some by the dog.  It is so like talking on the phone.  You have a long story to tell.  What maintains the conversation?  The little interjections your listener gives you that tell you she’s still on the line, still listening to you.  The call hasn’t been dropped by your cell phone network, nor has she gone off to feed her horses.  Without those little sounds cueing you that the connection is still active, and she’s still on the other end of the line, your story would stutter to a stop.

“Are you still there?” You may find yourself asking this as you talk on the cell phone.

“Are you still walking to the door?”  Your dog wags  his tail, or goes into a play bow.  Yes!  That just redirected the human from the kitchen back on track to the door.

We tend to think of cues as coming from us, but cues can also be given by our animals. When you live with animals, you become as much cued by their behavior as they are cued by you.  We know the look our cats give us when they want to be picked up for a cuddle, when they want to be set down again, or let out, or fed.  We become well-trained humans.

Animal Trainers – The Ones to Really Learn From!
I have always known how much my behavior is being cued by my animals.  I know those “looks”.  I have learned to interpret them and respond appropriately to them.  It’s no good picking your cat up for a cuddle when what she wants is to go out.  She’ll simply squirm out of your arms to repeat – louder – her cue.  She knows what many people who travel in foreign countries also believe.  If the foreigner doesn’t understand your language, repeat what you just said, only louder.  In the cat’s case, this often works!

Cats are superb trainers.  They are experts at arranging their households to their liking.  If you want to learn about training – watch your cats.  You don’t need to go any further to find a master trainer!

A Well-Trained Human
Cats are very good at taking the behaviors we have taught them, and turning them around to cue us.  I became very aware of this when one of my cats was a small kitten.  She wanted to see what I was having for breakfast and perhaps share it with me.  I didn’t want to encourage this behavior, so I took advantage of her interest to teach her to sit.  I followed the same procedure I had seen dog trainers use.  I held a small tidbit over her head.  As she looked up to see what was in my fingers, her hindquarters sank towards the floor.  Click!  I gave her a tiny bit of the buttered toast she was so interested in.

Two or three reps were usually enough to satisfy her curiosity. She would go off and leave me alone to enjoy my breakfast without the constant interruption of a too inquisitive paw pushing its way onto my plate.

Over the course of several days the sit began to evolve.  Now we had a proper down on your rump sit.  Click and treat.

One morning she added a slight paw lift.  I grew that from a slight lift of her front foot into a “high five” wave.   It was very cute.

And that’s when she turned the tables on me.  I was in the kitchen not far from the refrigerator.  She very deliberately sat down, lifted her paw and gave me my cue.  It was so like the dog handlers who cue “sit” and “down” with a hand signal, only in my case the cue set in motion a much more complex chain.  I walked to the refrigerator, opened the door, reached in, lifted out the tub of margarine, took off the lid, put a small dollop on the tip of my finger, reached down and let her lick it off my finger.

I had to laugh.  I knew exactly what had just happened.  She had turned everything around, and she was cueing me!

I also understood more clearly than I ever had before that the behaviors we teach our animals can be used by them to cue us.