Do It Differently

It was bound to happen.  At the start of this year I said every month this year I was going to use this blog to write a thank you to some of the many people who helped bring clicker training into the horse community.  This is my way of marking the twentieth anniversary of the publication of “Clicker Training for Your Horse”.  Sometimes it was just by a whisker, but I managed to get this done every month – except August.  I will blame the extreme heat that slowed me down to a snail’s pace.

I can’t blame my travel schedule because I travel every month.  August was no exception.  I was out in Washington State at Ken Ramirez’s Ranch for his “Animal Training for Professionals” course.  For twenty years he taught this as a semester long course at the University of Illinois.  He also taught a concentrated week-long version of the course at the Shedd Aquarium.  Most of the time is spent in the classroom but twice a day students get to have some animal time.  For the week-long course at the Shedd attendees got to watch the trainers working with animals.  At the Ranch attendees get hands-on experience working with goats, miniature donkeys and alpacas.

IMG_5425 Ken Ramirez with alpacas

Ken Ramirez with his alpacas

For this course I got to be Ken’s assistant which was a great fun, especially since most of the training sessions involved his herd of dairy goats.  I enjoyed very much seeing what Ken was teaching his herd of clicker-trained goats – what was a match up with what I was teaching my goats and what were some good ideas to take back to them?  It was also very interesting to see how Ken structured the course.  What did he put in his foundation?  What stair steps did he use to take people into the more advanced aspects of training?

Ken Ramirez teaching husbandry behaviorsOn the third day Ken focused on husbandry, especially as it relates to medical care.  He is uniquely qualified to speak on this subject.  Both at the Shedd and through his consulting work, he has overseen the teaching of cooperative husbandry procedures not just to more animals than most of us will ever handle in a lifetime, but to more species as well.

Ken’s basic strategy can be summed up in a very simple phrase: do it differently.  Every day in your training you should be practicing some form of husbandry skills, but the key to success is don’t try to mimic a procedure someone else is going to be doing.  Your touch is going to be different, so even if you try to make everything the same as the real thing – you won’t succeed.  And besides, you don’t know what you are preparing your animal for.  Is it to stand quietly while you doctor a wire cut on your horse’s leg, or to put eye drops into an infected eye?  We don’t have crystal balls that can tell us what medical procedures our horses will need to tolerate.  X-rays might be standard, and certainly shots, but beyond that what are you preparing your animal for?

So Ken says do it differently.  Get your animal accustomed not just to being touched all over his body, but to being touched in different ways.

Do it differently also applies to getting an animal comfortable with changes in the environment.  Every day introduce some change, something different.  You aren’t trying to scare your horse.  You just want him to get used to the idea that change happens and it’s nothing to worry about.

Do it differently is a great life metaphor.  Sometimes we need to follow the rules, to do things the way “they have always been done” because the way they have always been done works.  The motto here would be “if it ain’t broke, don’t fix it.”

But even if it “ain’t broke”, can it be better?  Are we stuck in a rut just mindlessly copying what has been done before?  Horses have been trained for thousands of years.  On the surface the training that I learned from experienced horse trainers didn’t appear to be broken.  They could get on and ride their horses.  They could make them jump and cross scary streams.  They could make them go where they wanted.

“Make” was the operant word.  The end result could be very appealing, but if you scratched too far below the surface, you discovered a very broken system.  It was littered with discarded horses and far too many frightened would-be riders.  Something needed to change.

I was very lucky to be learning about horse training at a time when two very important change makers were shaking up the horse world.  One was Sally Swift who brought the Alexander technique into the horse world and changed the way riding was taught in the United States. Sally came regularly into my area so I was very fortunate to have been able to attend many of her workshops.

The other change maker was Linda Tellington-Jones, the founder of T.E.A.M. training (Tellington-Jones Equine Awareness Method).  Through Linda the horse world was introduced to the Feldenkrais work.  Early on I encountered T.E.A.M. training through a magazine article.  In it Linda described the body work she had developed, including the T.E.A.M. circles.

Peregrine’s mother was a wobbler.  She had a spinal cord injury that impaired her balance and made her very body defensive.  When she was a yearling, if I tried to touch her anywhere, I was met with gnashing teeth and pinned ears.  Her whole body couldn’t hurt, but I couldn’t figure out what was wrong because she wouldn’t let me in to ask questions.

I was reading everything and anything related to horses, and I was eager to learn.  These funny T.E.A.M. circles Linda was describing sounded intriguing.  I tried them on my mare and her world changed.  In minutes her eyes had grown soft.  Her head was drooping.  She was letting me in all over her body – except in one area around her right shoulder.  That was where the pain was.  For the first time she could relax enough to let me know what was wrong.

Within a few weeks I was on an airplane headed to the mid-west to attend a workshop Linda was giving.  I had to learn more!

That was the first of my many travels for horses.  At first I was traveling to learn, and then I was traveling to teach (which really means to learn even more!)

At one of the T.E.A.M. workshops Linda was letting us experience for ourselves the T.E.A.M. body work.  She let me feel one version of the T.E.A.M. circles, and then she did it another way.  She had her hand on my back so I couldn’t see what she was doing, but, oh my goodness!  It felt so very different!

I turned to face her.  “What did you do!?”

Her answer meant nothing to me.  “I breathed up through my feet.”

Now I’ve been trained in the biological sciences.  I’ve studied anatomy and physiology.  I’ve done dissections.  I know we breathe through our lungs, not our feet.  And beside, I had hay fever when I was little.  I was constantly congested.  Even breathing through my lungs felt like a foreign notion.  My breath got clogged somewhere at the top of my chest.

But I knew that breathing up from her feet meant something to Linda, so I went in search of the translation to that phrase.  One of the teachers I found lived in my area. She had a horse with a hard-to-diagnose lameness.  She contacted me to see if I could help her with him.  It turns out that the lateral work I was learning helped enormously.  When he carried himself in good balance, there was no sign of the lameness.

His owner, Marge Cartwright, was an Alexander practitioner, and she had also studied the Feldenkrais work.  So we ended up doing trades.  I worked with her horse to help him to be sounder, and she worked with me. Overtime I learned not only what it means to breath up through my feet, but to breathe up from the ground.  Learning that changed how horses relate to me.  It isn’t magic.  It isn’t some mystical gift of a horse whisperer.  It is simply the systematic unblocking of tension.  One metaphor that I love is the shining of a light on the dark places.  These are the places where movement become stuck, and we hide from ourselves the reasons for the stiffness.  This image comes via Anita Schnee, a Feldenkrais practitioner and regular attendee at the clinics I give at Cindy Martin’s farm near Fayetteville Arkansas.

The work Marge shared with me stands as one of the central pillars of what I teach today.  It is woven into every lesson both the ones that I give directly to horses and the lessons that I teach to their handlers.  Unless you live in my area and had the good fortune to learn from Marge, you won’t know her name.  But I owe her a huge thank you for enriching my life beyond measure.  Her work is woven into what I mean by equine clicker training.  If you have participated in a body awareness lesson at one of my clinics, you have been the direct beneficiary of her work. If you have thought about your own balance as you feed your horse a treat, that’s Marge’s influence again.  If you are learning about school figures – circles, lateral work, diagonals, etc. – by walking them without your horse, Marge has a hand in that, as well.

An awareness of balance, no much more than that – an appreciation for balance, an understanding that balance and soundness go hand-in-hand is something that I explored with Marge.

Clicker training for horses might have been little more than the teaching of tricks if it weren’t for this fascination and appreciation for balance.  Instead clicker training is a complex, wonderfully rich and diverse training system that can meet all needs. It includes the fun of tricks, but it doesn’t stop there.  The central core, the pillar that supports everything else is balance.

So thank you Marge for sharing your work so generously.  When you suggested we trade services, I’m sure you had no idea the ripple you were about to set into motion.  You helped make clicker training so much more than simply the pairing of a marker signal with treats.  What we teach and how we teach have become woven together to create a magnificent whole new way of doing things.  We dared to to it differently and look what grew out of it!

Thank you!

Moving On

JOY FULL Horses: Ten Things You Should Know About Cues: Number 9.) You Can’t Not Cue: Part 11 of 12

Celebration!

poco-hug-2nd-day

The previous section began my description of a series of Play sessions I had with an ear-shy horse named Poco.  Step One was teaching Poco to target his nose to my hand.  After two sessions, I could cradle his nose in my hands.  I could lean into his space, something that would previously have worried him.  And because I could lean in, I could steal a kiss.

Laugh.

Press my forehead against his.  Click. Treat. Celebrate!

Moving On

poco-come-into-hands

Training is all about moving on.  With Poco I moved on by adding yet another dimension to the body part targeting.  I stood in front of him and asked him to place his nose into my hands.

I drew my hands forward, inviting him to follow me with a give through his poll.  He wasn’t sure what was wanted.  He lifted his nose out of my hands.  Again, I invited him into my hands.  I could feel the tension in his poll, the habitual holding.

My hands offered him a suggestion, an invitation.  He found the answer.  I could feel the release as he let go of the tension.  He lengthened into my waiting hands.  Click and treat.

poco-give-full-body

Poco as he releases through the poll for the first time.

What Could You Find? What Could You Release?
Years ago I had a client who was an Alexander practitioner.  She had also studied Feledenkrais work and a number of other, related types of body work.  We did trades.  I worked on her horse and his balance issues, and she worked on mine.

Marge never gave you answers.  Instead she presented you with questions.  “What could you find, what could you release to let go of the tension?”

I remember one day she was moving my arm through a series of rotations, exploring the range and ease of motion that was available to me.  I let her circle my arm.  It was an oddly pleasing sensation.  I could just let go of all expectations and let her take my arm through a series of rotations.

Abruptly she released my arm, but instead of dropping down to my side, it remained suspended in mid air.

I remember looking at it.  How odd.  Gravity should have taken care of that.

I remember Marge chanting: “What could you find, what could you release that would allow your arm to just drop down?”

I had no idea since I had no idea why my arm was still up in the air.

Posing the Questions
Marge didn’t solve the puzzle for me.  She posed the question.  I had to find my own answers.

This was what I was doing for Poco.  I was presenting him with a puzzle.  Through my hands I was asking the same questions Marge had all those years ago: “What could you find, what could you release that would let you follow the invitation of my hands?”

Adding the Click
The click turned over responsibility for the process to Poco.  I was not simply a body worker doing something TO him.  Poco and I were involved in a conversation.  I was asking questions, but I didn’t have the answers.  Poco had to provide those.

I felt the answers through my hands, and I acknowledged them with a click and a treat.

I’ve done body work without the added dimension that clicker training brings.  I know how profoundly it can change horses.  Adding in the clicker gives you more.

“When I was young I did the best I could.  But when I knew better, I did better.”    
        adapted from the poet, Maya Angelou

Doing better means I want the conversation.  I’ve experienced the difference, and I know I want the horse actively involved in finding his own answers.  This in no way negates the value of what I had learned all those years ago through Linda Tellington-Jones.  Nor does it devalue what others are doing with their own listening hands.  I don’t know what magic exists in the hands of a skilled body worker.  But for me the magic comes through the science of clicker training.

poo-deep-release-4-good

Remember this is an ear-shy horse.  Poco is offering me a lovely soft release through his entire spine.

Coming Next: Tactile Communication

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “JOY Full Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com

 

Questions

JOY FULL Horses: Ten Things You Should Know About Cues: Number 9.) You Can’t Not Cue: Part 8 of 12

More Questions
In the previous posts I looked at the components that go into creating clicker “super glue”.  This discussion brings us back to questions, and that’s getting us closer to returning to Poco, the ear-shy horse I introduced you to at the beginning of this unit.

There are many threads that weave through my work.  What is common to all of them are questions.  In the sciences you are trained to ask questions.  You aren’t there simply to regurgitate to others what is already known.  Your role is to explore, investigate and expand upon what is already known.

In archaeology a portion of a site that is being excavated is set aside for a future generation to uncover.  The belief is that the methods of exploration will advance, opening up the possibility that more can be learned by waiting for those techniques.

The expression: “we are standing on the shoulders of giants” holds true in every field.  Sometimes we may laugh at what people before us have believed.  We may think, what an absurd notion!  How could people possibly have believed that!? But those absurd notions were the stepping stones that brought us to our current understanding.  And the beliefs that we hold today are simply more stepping stones taking us to the next “greatest thing since sliced bread”.

Jaak Pansepp identified seven core affective systems.  (Refer to Affective Neuroscience: Published Jan. 17, 2016: https://theclickercenterblog.com/2016/01/17/)

The SEEKING system was one of the seven, and it turns out it plays a role in the other six.  We cannot help but be curious and exploratory.  It is built into the ancient networks of our brain.  As Panksepp describes it, “an infant SEEKS with no set goal.”

Creativity is a core driver.  We ask questions because we are curious.  We want to know what sits beyond the horizon whether that horizon is the physical or metaphorical.  We SEEK to know more.

Questions can take us out past the horizon line, and they can also take us inside to an exploration of our private space.  Here the questions become even more important because we cannot directly investigate these private realms.

Levels of Analysis
Panksepp asks questions at the level of individual neurons and the systems that they form within the brain.  I have been trained to ask questions at a different level of analysis.  That’s a phrase I learned from Dr. Susan Friedman.  (behaviorworks.org)  Dr. Friedman is a behavioral analyst.  She uses a wonderful metaphor of a viewing scope.  What is the lens focused on – the distant horizon or something much closer?  What is the level of analysis that interests you?

My focus is on balance, but I have to go inside to find the answers to the questions I ask.

Going Inside
What does going inside mean?  If I ask you to raise your arm, I have an overall understanding of how human anatomy works and what muscles, bones, and tendons are involved, but that doesn’t tell me how YOU lift your arm.

I could watch what you do, but that gives me only partial information.  I could ask you directly, but how many of us know how we do something so basic?  We lift our arms without thinking about HOW we are doing it.

So if I want to know how YOU lift your arm, I need to ask questions at a different level of analysis.  I might rest my arm on your shoulder so I can add the tactile information to all the other data I’m been collecting.

I will need to know how to silence all the other answers I’ve gotten from asking similar questions of others.  I can’t assume that your answer will be the same as theirs.  I ask my questions without knowing the answer.

I observe without judgment.

And I observe through questions.

I feel the movement of your arm lifting under my hand.   I could be satisfied with thinking:

Here it lifts.  Here it stops.  Here her shoulder moves.  Here her breath is held.

Instead I want to keep putting a question mark at the end of each of these sentences.

How is she lifting her arm?  Is it anything to do with what I feel under my hands?  How does her arm move? Where does the movement begin?  Where does the movement stop?  Is it the same on both sides?

Adding a Question Mark – Feldenkrais Work
Turning your observations into questions comes via Mia Segal, a Feldenkrais practitioner.  I wrote about her work earlier. (See Part 2: Unit 3, Chapter 3: Feldenkrais Work: Published June 9,2016:https://theclickercenterblog.com/2016/06/09/)

In the horse world many of us are aware of the Feldenkrais Awareness Through Movement method because of Linda Tellington-Jones.  Her TT.E.A.M training evolved out of Moshe Feldenkrais’ work for people.  Feldenkrais’ work is an exploration of movement in which an individual is guided through questions towards greater self-awareness and well being.

Asking Not Telling
Applied to horses what evolves out of this type of exploration is a question that slices straight through to your core belief system.  It is this:

Are you telling or are you asking?

You can train with a clicker and treats, but if you are telling, you aren’t playing, and you most certainly aren’t listening.

Suppose you want your horse to pick up a hind foot.  You can use your clicker and treats to “tell” him to do what you want.

“Shift your weight over off your left hind.” Click then treat.

“Unweight your left hind.” Click then treat.

“Unweight it a bit more.” Click then treat.

“Pick up your left foot.” Click then treat.

“Pick it up higher.” Click then treat.

“Hold it still while I clean your foot.” Click then treat.

You’ve been polite, but you’ve still told your horse what to do.  You’ve picked his foot up, and you’re holding it where you always hold a horse’s foot.  But suppose for this horse’s conformation that means his hock is now under pressure.

The longer you hold his foot up, the more uncomfortable he’s going to become.  He’ll start to fuss and try to pull his foot away.  You’ve been told you have to hold on.  If you let go, he’ll learn he can pull away, and he’ll never hold his foot up for you.  So you hold on.

He becomes more uncomfortable and pretty soon your wrestling match has disintegrated into a full out battle.  No matter the outcome neither of you are winners because the whole process could have been so very different.  Here’s how:

Suppose you ask for his foot instead through a series of questions.  Now it becomes:

“How do you shift your weight over off your left hind?” Click then treat as he responds with an answer.

“Can you unweight your left hind?” Yes.  Click then treat.

“Can you unweight it a bit more?” Yes. Click then treat.

“How do you pick up your left foot?” Follow his movement through the lift. Click then treat.

“Can you pick it up higher?” Yes. Click then treat.

“Where can you comfortably hold your foot?”  Click then treat as you find the spot together.

As you ask these questions, you’ll be listening to your horse.  You’ll feel how his leg unfolds as he lifts it into your hand.  Instead of holding it in a position that stresses his joints, you’ll let him show you where he can hold it comfortably.  Instead of fussing, now you have a horse who knows he’ll be listened to.

The click and the treat helps to guide him through the questions you’re asking.  The questions will give you the lesson.

The Questions – The Lesson
The Questions:

How do I feel it in my hands?

Where does the movement begin?

Where does it stop?

How does it stop?

When does it stop?

How does it begin again?

What changes with repetition?

Is it the same on both sides?

What changes under my hands?

How could it be done differently?

(Note: These questions are from Mia Segal’s youtube video: The Art of the Question.)

Your Homework
Here’s something to play with over the next few days.  Put question marks at the end of your training requests, and then make note of the changes you see in your horse.  I’ll end with a question.  What changes in your relationship as you ask questions and learn to listen deeply for the answers?

Coming Next: The Teachers We Get Are The Teachers We Need

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “JOY Full Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com

JOYFULL Horses: Cue Communication Continued – Part 3: The Mounting Block Lesson

In the previous section I described how I taught Peregrine to line himself up to a mounting block.  He was already an experienced riding horse who was familiar with mounting blocks so this was an easy lesson.  I used two targets to bring him into position.  The first brought him to the mounting block and the second took him forward a couple of steps so he ended up positioned exactly where I needed him to be in order to get on.

Capture the Saddle
I teach the mounting block lesson very differently these days.  The lesson is called: “Capture the Saddle”.  (Refer to Lesson 11 in The Click That Teaches DVD Series: “Capture the Saddle”.)  It begins with rope handling and directed learning and ends with targeting.  I teach it in this way because I regard the mounting block lesson as a final safety check before a rider gets on.  The lesson shows how well connected you and your horse are to one another.  BEFORE you get on and need to rely on them for your safety, it confirms that you BOTH know how to communication via the reins and are comfortable with their use.

A horse that has been well prepared with good ground work will breeze through this lesson.  The prerequisite is a lesson that I have named: The “Why Would You Leave Me?” game.  I will refer you to the DVD of that name for the details on how to teach this lesson.  (This is Lesson 5 in The Click That Teaches DVD Lesson Series)

The “Why Would You Leave Me?” Game
The overall description is this: the handler sets out a circle of cones and then leads her horse around the circle.  The basic question is: can the handler let go of the lead/rein and have her horse stay with her like a dog heeling at her side?  Or when she let’s go, does her horse wander off the circle, lag behind, rush ahead, or push into her to cut across her path?  Where is his attention – with her or elsewhere outside of the circle?

Robin wwylm far end collecting 1 at 11.59.50 AM

Robin has his attention on me as we walk around the “Why Would You Leave Me?” circle.

It doesn’t matter if the horse can do this perfectly at liberty, wearing nothing on his head.  Lots of things change when a horse is “dressed” for riding.  The horse that walks beautifully by your side when he’s wearing nothing, may become an anxious freight train when he’s wearing a bridle.

Bridling 2

Some people may jump to the conclusion that a horse who becomes anxious when he’s wearing a bridle dislikes having a bit in his mouth, but that may be a red herring.  If we went back to that horse’s first encounter with a bit, we might discover that he was one of those youngsters who always seemed to have something in his mouth.  His handlers were forever taking lead ropes, brushes, halters out of his reach.  If you left anything close enough to grab, he would have it in his mouth. So when he was offered a bit, there was nothing unpleasant about it.  It was something he could put in his mouth, and finally his people didn’t snatch it away from him!

But then the reality of riding set in.  Riders bounced uncomfortably on his back.  His saddle pinched his shoulders, and worst of all, when he guessed wrong or headed off in his own direction, his riders jerked on the rein so the bit hurt his mouth.  It wasn’t long before someone approaching him with a bridle became a predictor of unpleasant things to come.

Of course, this isn’t the only outcome for riding.  The sight of the bridle can mean a fun clicker game is about to begin.  But for a horse who has been ridden with corrections, the bridle often triggers unpleasant associations.

You could decide to work exclusively at liberty, or you could help this horse out by explaining away his anxiety about halters, leads, bridles, and saddles.  Every time you explain away a fear, you remove a potential source of stress for your horse.  That’s a process that’s worth doing.

Expectations
When I first get on a horse, I like to walk off from the mounting block on a loose rein. (And yes I do use mounting blocks.  I feel very strongly that they are a courtesy to the horse.  They save strain to his back.  You save strain to yours, and you protect your saddle from becoming twisted.)

Icky at mouting block 2 photos at 11.18.23 AM

I want the horse to stand patiently at the mounting block until I signal to him that I am ready for him to walk off.  I’ve watched too many horses who barely let the rider settle into the saddle before they take off.  The rider is snatching up the reins and blocking the horse before they’ve even gone two steps.  The horse protects himself by throwing his head up and tightening his jaw which then hollows his back.  The ride has barely begun, and already they are in a training hole.  It’s a long way from play for either horse or rider.

When I get on, I expect my horse to wait patiently while I get myself organized and settled into the saddle.  I appreciate these good manners, so I always click and treat the horse for standing well.  I’m sure there will be some who feel that the horse should not need to be be reinforced for behavior that he knows well, but I like to say “thank you” by marking good responses with a click and a treat.  It costs so little to maintain this ritual.  I ride with clicker treats at the ready.  Offering one as a thank you takes no real effort, and it means that my horses can be trusted to stand quietly at the mounting block.

When we are ready, I cue the horse to walk off.  I want him to walk off on a loose rein.  On a green horse, this may not be possible.  Two steps on from the mounting block I may be picking up the rein and sliding down asking for the hip, but the goal is to have a horse who leaves the mounting block in an energetic, but relaxed walk.  The reins are long.  I don’t want to be shortening them up and restricting the walk in any way.

This is important.  It gives me time to evaluate how my horse is feeling on that day.  Where is his back?  Does everything feel as it should, or is there a stiffness or an uneven feeling that I need to be aware of?  What is his energy level? How does everything compare to previous rides?  Can I feel the effect of the previous lesson in the start-up?  What is available to me?  What do I need to work on?  As Mia Segal (June 9, 2016 post)  would say, if you know the questions, you have the lesson.

Walking Off Casually and the “Why Would You Leave Me?” Game
Walking off casually gives us time to come together as a riding pair.  It gives me time to evaluate where my horse is on that particular day, both physically and emotionally.  But walking off casually is not a given.  It is something I have actively taught to my horses.  It begins on the ground with the very first leading lesson and is further expanded upon in the “Why Would You Leave Me?” game.

This lesson is best taught on a circle.  Every time the horse takes his focus away from the handler and begins to leave the circle, the handler slides down the lead and brings the horse back onto the circle.  The handler is essentially asking the question: why would you leave me?

This is such an important question to ask.  Are you leaving because the environment is too distracting? In that case perhaps the best option is to move to a less distracting location.  And note the distractions could be from things the horse is afraid of and wants to get away from, such as a tarp that’s come loose over the shavings pile.  Or it could be things the horse wants to go towards, such as grass or his pasture buddies.

Are you leaving because you are so full of energy that you can’t walk at my pace?  Are you leaving because you aren’t balanced enough to stay on a circle?  Are you leaving because you’re afraid of me?

wwylm collage

Robin begins by being momentarily distracted by something out the back door, and ends with some lateral work and a beautifully balanced, connected trot.

These are all questions I want to ask and have answered before I put my bones up on the horse.  That’s the purpose of the “Why Would You Leave Me” game.  The end result will be a horse who walks with you without needing to be held there with a lead.

We begin on a circle so the loop keeps repeating itself.  If your horse tends to crowd into you as you pass by the gate, and you missed noticing until he was already pushing you off the circle, don’t worry.  You’ll come around to that point again, and you will be better prepared to ask for what you WANT him to do.  Eventually,  you’ll be able to leave the set pattern of the circle and walk complex patterns.

In this video Panda shows off her “heeling” skills.  She’s working with Sue Bennett, one of the coaches for my on-line course.  Sue and Panda have just met, but that doesn’t matter to Panda.   She’s happy to stay connected.  Why would you leave me? For no reason at all.

My thanks to my coaches: Michaela Hempen and Asfaloth for the bridling pictures; Monty Gwynne and Icaro for the mounting block; Sue Bennett and Panda for the heeling video (and Ann Edie for letting Sue play with her guide horse); and Robin for the “Why Would You Leave Me?” photos.

Also please note: I am not attempting to provide complete instructions for any of the lessons I have described in this post.  Nor have I detailed how to ride in a way that is clicker compatible.  That’s not the function of these posts.  You will find very thorough instructions in my books, DVDS, and on-line course.  Visit: theclickercenter.com    theclickercentercourse.com

Coming Next: Cue Communication Part 4: Capture the Saddle – A Targeting Game

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “JOY Full Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com

JOYFull Horses: Chapter 3: The Time Has Come . . .

The Time Has Come the Walrus Said To Talk of Many Things

“The time has come,” the walrus said,
“To talk of many things:
Of shoes and ships and sealing-wax
Of cabbages and kings
And why the sea is boiling hot
And whether pigs have wings.”
Lewis Carroll – Through the Looking Glass

In Chapter One of this section I shared some examples of how the environment can cue behavior.  Panda, the mini I trained to be a guide, provided us with many examples of environmental cues.  In the previous Chapter I showed how a combination of mats and strategic food delivery can be used to teach basic leading.

We’ll be building on that lesson is this next unit. Which means the time has come to talk about Premack, Feldenkrais work, asking questions, mats, airplane runways, needlepoint, and creativity.  If you’re not sure what some of these mean or what the link is between them, read on.  And yes, we will be getting back to play and our list of ten things a beginner needs to know about cues, but first let’s set the stage with a discussion of the Premack Principle.

Behaviors as Reinforcers
One of the things that quickly becomes apparent when you start turning training into play is how quickly the behaviors you teach your horse can be turned around and used as reinforcers for other things.

This is not a new understanding. In the late 1950s primatologist, David Premack developed his relativity theory of reinforcement which is better know as the Premack Principle.  Simply put this means that a higher valued, more probable behavior can be used to reinforce a lesser valued, less probable behavior.

If you hate to sweep your barn aisle, but love to ride, don’t put sweeping after riding.  Let riding serve as a reinforcer for sweeping up.  When you finish grooming and reach for the broom before you reach for your hard hat, that puts you on a habit path that’s going to culminate not just in a great ride, but also in a love for barn chores. Clicks for you!

That’s something I discovered when I changed the sequence in which I did my barn chores.  I’ve always disliked sweeping.  When I was boarding my horses, it never made any sense to me that we were sweeping the barn aisle last thing at night.  The only person who was going to see our beautifully swept aisle was the morning stall cleaner, and she was going to begin the day by making a mess.

It would have been much better to sweep up when we first arrived so we could enjoy the clean aisle all evening, but that wasn’t how things were done.  In my own barn I sweep the aisle first and then follow that with cleaning the stalls and paddocks – something I enjoy.  After the barn chores are done, I get to play with the horses.  The result?  I now look forward to sweeping the aisle. It’s a great way to begin my day.

Panda helping me sweep 3

Panda is “helping” me sweep my barn aisle during a visit to the barn.

The same kind of sequencing becomes important when you train your horse.  Think about the order in which you ask for things.  If you’ve taught a behavior well, it can serve as a reinforcer for a newer behavior you’re working on.  Ideally every behavior you add into your training loops should function as a reinforcer for all the other behaviors.  The result: every behavior you ask for will become something your horse enjoys doing.

That’s ideally.  How can you make that a reality for the behaviors you teach your horses?

Turning Mats Into Tractor Beams
For a horse who likes to be actively doing something, what could be more tedious than standing on a mat?  And yet, that’s definitely not how our eager clicker horses view mats.

Mats become like tractor beams drawing the horse in.  They are where good things happen.  You get treats on a mat.  You get lots of attention.  And when you leave one mat, you get to head off to another.  More treats!  Yeah!!

Harrison on mat hug cropped

Mats are where good things happen.

If I teach mats well, they are a source of play not tedium. When I am first teaching mats, I keep the Premack principle very much in mind.  Most horses initially view a mat as something to avoid.  They will step over it, around it, slam on the brakes in front of it, anything but actually step on it.

I’ve taught mats in lots of different ways.  You can freeshape stepping on a mat, but I prefer to put the horse on a lead and turn this into a more directed-learning process.  The reason I do this is because it’s a great opportunity for the horse and handler to become more familiar with good rope handling techniques.

In the horse world the lead is often used as an enforcement tool.  “Do what I say – or else!” If a horse pushes past the handler, the lead is there to give him a quick reprimand.  The handler jerks the lead so the horse feels a sharp bump from the halter.

If a horse doesn’t back fast enough, he knows the lead will be there again swinging threateningly in his face.

That kind of expectation is not clicker compatible.  We need to take the “do it or else” threat out of the lead.  The lead is there to ask questions – not to tell or demand.

What does this mean – the lead is there to ask questions?  One of the best ways to describe this came from a youtube video clip of Mia Segal.  Segal is a Feldenkrais practitioner.  Developed by Moshe Feldenkrais in the mid-1900s Feldenkrais work eases pain or restrictions to movement by increasing an individual’s awareness of small movements.

Feldenkrais Work
Unlike a massage and other manipulative therapies, Feldenkrais work is experienced through self-observation.  You learn how to move with attention.  You become aware of how you move; what parts of your body you mobilize to create an intended movement; how far the movement flows through your body; where it stops; where it is blocked; and what can be released to extend the movement.  It is an exploration of movement in which an individual is guided via questions towards greater self-awareness and well being.

The expression “Where there is no fear or pain, learning can take place in a single lesson.” lies at the core of this training.  Like many in the horse world I was first introduced to Feldenkrais work via Linda Tellington-Jones.  Her TTEAM training evolved out of this work.  Later I was fortunate to have a client who was an Alexander Practitioner and who had also studied the Feldenkrais work.  We did trades, sharing back and forth the new things we were exploring. Through her I learned even more about the art of asking questions.

Asking Questions
Recently a friend sent me a link to a youtube clip of Mia Segal teaching a workshop  (https://www.youtube.com/watch?v=prGxrhXDEgQ).  My friend said it reminded her a lot of my work.  As I watched it, I thought, she’s right.  Mia Segal might have been talking about working with people, but she was describing perfectly my approach to horse training.  Segal was sitting on the floor with one of the workshop participants.  She was clearly in the middle of a session.  Her student was lying on her back, knees up in the air, with Segal comfortably supporting her head in her hands.

Segal was talking about the first time she saw Moshe Feldenkrais working.  It was 1957.  After the session he asked her if she had any questions.  She had so many, but she knew there were other people waiting.  How could he have time for all of her questions?

Feldenkrais answered her – “If you know the question – it will take but a minute.”

The art of training is knowing the questions to ask.  That is as true for our horses as it is for people.

Segal went on to say:

Someone recently asked the question: ‘What is the difference between this work and pilates, yoga, and other physical therapies. Isn’t it all the same?  So you have another method.’  And I thought the biggest difference is this is a method of questions. I don’t have answers, and I don’t want answers.

You ask a person to move in a certain way.  Bend your knees to the right and you ask – ‘How is she doing it?  Is it anything to do with what I feel under my hands?’

How do I feel it in my hands?  How is she coming back?  Does this change anything under my hands?  And do it to the other side – How is she doing it, and does this feel different?

So rather than thinking – Here it stops.  Here it goes.  Instead I just keep putting a little question mark at the end.  HOW does it go?  HOW does it stop?  WHERE does it stop?  WHEN does it stop?  Is it the same on both sides?  And then I have the whole lesson.”

The Translation to Horses
When I slide down a lead to a point of contact, I am listening through my hands.  And I am asking questions.

Merenaro with alex

This horse and I are deep in conversation.  I am asking many questions through my hands.

When I meet horses for the first time, most aren’t used to being asked anything.  They expect to be ordered about.  Some horses are very compliant.  They have learned that the best way to stay out of trouble is to do what they’re told.  They will follow the feel of a rope.  They will be responsive, and light in your hands. They may even seem happy or at least content.

Light we can measure in terms of how much pressure we need to apply to get a response; how quickly the horse responds; how much weight we feel in the rope as he moves.  Does he move with us, or does he hang back leaving pressure on the lead?  These are all measurable.

But happy.  Who knows. How do I know if you or anyone else is happy?

The “Black Box” of Emotions
How do I know if another person is happy?  I may see behaviors that I associate with times when I have felt happy, but I don’t really know how anyone else feels.  When you say you love your horse, I believe you.  But what does that really mean?  If you tell me you love your horse, but then you sell him so you can buy another horse who jumps higher, I have to believe that that word means something very different to you than it does to me.

So I can say that a horse is responsive – that’s measurable.  I can describe other behaviors that I like to see – his ears are relaxed so they flop back and forth in time with his walk.   Or I might see the opposite.  He has his ears pinned flat, he’s grinding his teeth, and the muscles around his eyes are tight.  These behaviors tell a different story.  I wouldn’t say that’s a horse who is happy.

The Lead Tells A Story
Often when I first attach a lead to a horse, what I encounter is resistance and concern.  Leads have been used for corrections – so the horse is defensive.  He may throw his head up as I slide down the lead, or punch my hand with his mouth.  He might even bite at the lead or at me.  He’s telling me about his history, and I need to listen.  I also need to respond in a way that doesn’t prove to him that he was right to be guarded.

The mats are going to help me.  I was about to add the phrase: get past his defenses, but that’s not exactly right.  That would imply that the castle walls are still there, and all I’ve done is found a way to scale them.

castle walls 1.png

Instead, I want to show him that the castle walls, the moat with the sharks, the draw bridge, the boiling oil, the iron portcullis, and all the armored men lined up behind it aren’t necessary.  They can all vanish, whisked away not through force, but through play.  In the next installment I’ll describe a lesson that replaces castle walls with airplane runways, and you’ll see how the Premack Principle can be applied to training loops.

Coming next: The Runway

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “Joyful Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com