Thank YOU!

I’m taking a brief detour from the Goat Diaries.  2018 is the 20th Anniversary of the publication of my book, “Clicker Training for your Horse”.  To celebrate every month this year I will be writing an article about one of the many people who have helped me bring positive reinforcement training into the horse world.

Last month I told you about Bob Viviano and Crackers.  Bob was there literally at the beginning of my exploration of clicker training.  Ann Edie joined us a short time later when she started taking lessons from me at the barn where I boarded my horses.  This month I want to turn the spotlight in her direction to thank her for the enormous contribution she has made to the development of clicker training and for 25 years of friendship.

Most of you know Ann through her guide horse, Panda.  Ann has big horses as well.  We seem to share our equine family – at least that’s how it feels.  Ann’s first horse, Magnat, is our one in ten thousand horse.  That’s how I think of him.  He was originally my school horse, but he was such a great match for Ann, in 1996 I gave him to her.  In 1999 he was joined by our two Icelandics, Sindri and Fengur.  Panda joined the “herd” in 2001.

I’ve written so much about Panda, I’m going to shine the spotlight instead on Magnat.  He played such an important role in the early development of clicker training it is right that he should get the attention as I celebrate twenty years of “Clicker Training for your Horse“.   There is so much I could write.  I’ll just share a couple of favorite Magnat stories.

Remembering Magnat

Magnat is an Arabian.  He came to me through clients of mine who wanted a weekend trail horse for their guests.  Several months and several disastrous rides after they got him, they discovered that he had a severe heart murmur.  My clients were in a dilemma.  They didn’t want to keep him as a pasture ornament, but they couldn’t ethically sell a horse with such a severe heart condition.  Who would want such a horse?  The answer was I would.

So Magnat became mine.  One of my favorite training mantras is:

The walk is the mother of all gaits.

I didn’t need to ride fast to enjoy a horse.  Magnat and I were a perfect fit.  I would love to have reserved him just for myself, but he was such a great school horse.  I began to use him to give lessons at the barn where I boarded.  I could not have asked for a better co-teacher.  This was in 1994.  I had just begun the year before to explore clicker training with Peregrine.  I was having such good success with it, I had started to share it with all my clients.

Pretty soon the only horse who wasn’t clicker trained was my own school horse.  I was reluctant to introduce it to him.  I had all the questions that everybody else has when you first start introducing food into your training.  What if he got mouthy?  He was so polite now.  I didn’t want to risk messing up my one and only school horse by teaching him clicker training!

When someone is hesitant to give clicker training a try, I get it.  I had the same questions and concerns that most people have when they first encounter this work.  But I really couldn’t go on encouraging all my clients to give it a try and not follow my own advice with Magnat.

I needn’t have worried.  For Magnat it barely caused a blip on the landscape.  He was polite before I introduced food, and he remained so even when my pockets were bulging with treats.  He was never muggy.

There are lots of horses who go through a very rocky transition stage.  The food does get them excited.  They frustrate easily and often older behaviors that have been suppressed through punishment resurface to create problems.  Magnat showed none of this.  That isn’t to say there weren’t changes.  My solid, reliable lesson horse truly began to shine.  If he had been good before, now he was outstanding.

Throughout that first winter he helped me teach people the basics of single-rein riding.  There’s a great expression:

The longer you stay with an exercise, the more good things you’ll see that it gives you.

One of the good things the basics of single-rein riding produced for Magnat was collection.  The beginnings of two favorite behaviors popped out: piaffe and canter in-hand.  This later is a gorgeous behavior to have in repertoire.  Magnat became so balanced and collected, he could canter while I walked beside him.

It was around this time that Ann came to the barn wanting to take lessons.  Ann was not a beginner.  She had ridden as a teenager, but then like so many others she gave up riding when she went off to college and never got back to it once she started raising a family.  The challenge for me was Ann is blind.  I had never worked with a blind rider before.  This was a new frontier for me.  But I assumed my job was teaching her to ride.  Ann would take care of the rest.  If I taught her the way I taught everyone else, we’d come out okay.  It turned out I was right.

I started Ann the way I start all riders who come to me.   It doesn’t matter how many years you have ridden or how experienced a trainer you are, if you are going to ride one of my horses, you start with a pony ride.  I guide the horse from the ground.  All you have to do is sit and enjoy.

As the rider becomes familiar with the horse’s communication system, and understands how to cue the horse, I gradually turn over more and more of the control.  So at first I have the reins, and I’m working the horse in-hand with a rider up.  Then I hand the reins over to the rider, but I stay close so my body language continues to support the rider’s cues.  Then I gradually fade out and the rider takes over completely from me.

This worked perfectly for Ann.  Having Magnat as my co-teacher made all the difference, especially since he could canter in-hand.  For teaching that made him worth his weight in gold.  I wish I had learned how to ride on a horse like Magnat.  Ann has such a relaxed canter seat because she learned the rhythm of the canter from him.  Starting out she never rode a bad canter.  All she had to do was relax and enjoy.  There was no struggle trying to get him into the canter, no trotting faster, faster, faster like a plane taking off.  There was no leaning sideways through unbalanced turns.

Magnat canter

Instead there was just the relaxed rhythm of a collected, glorious canter.  And then there was the piaffe and the passage.  It was Ann who was riding the first time Magnat succeeded in mobilizing into piaffe.  I was working him from the ground while she helped manage his weight shifts.

We were figuring out how to teach riding with the clicker.  I gave Ann the lesson, and she taught Magnat.  They were such a good match, I decided after their first winter together to give him to her.  It gave me so much more pleasure watching them develop as a team than I ever would have had riding him for myself.  And I had Peregrine.  He and Magnat became riding partners.  For the next sixteen years while we kept the horses at the boarding barn, Ann and I shared our evening rides together.

They were an unlikely pair, my thoroughbred, her Arab.  But it turned out that each horse gave their best to the other.  Magnat gave Peregrine the confidence to move forward again after a long, hard recovery from the aftershocks of Potomac horse fever.  And Peregrine taught Magnat about collection.

Magnat lived in a small paddock with two other horses.  I’m sure you can picture what he looked like during mud season.  Every night Ann would spend an hour or so grooming him and by the time he was ready to go into the arena, he was snowy white.  I don’t know how she did it!  When I brush my horses, the dirt moves from one spot to another.  When Ann grooms, the dirt leaves!  And a horse isn’t clean until her fingers tell her he’s clean.

Early on we taught Magnat to retrieve.  There’s a picture of him with a wooden dumbbell in his mouth on the cover of the first edition of “Clicker Training for your Horse”.  When Ann brought him into the arena, he would ask to be turned loose.  She’d let go of his reins, and he’d go out in the arena and bring back to her all the things the previous riders had dropped.

We boarded in a barn where there was a very active after school lesson program so there were always dropped riding crops, gloves, hats, kleenex.  Ann never knew what she was going to be handed.  Magnat was very diligent in making sure that he had found anything and everything that might get in their way.  In so many ways he was Ann’s first guide horse.

When the arena was clean, he would walk with her to the mounting block and line himself up.  Now the real glory of Magnat shone through.

Ann understood that clicker training means so much more than just using a marker signal and treats.  Clicker training for us is synonymous with good balance.  It was a joy to explore with her what that meant for our horses.

When Ann first started riding Magnat, she couldn’t manage his trot at all.  He bounced her out of the saddle.  It was the most jarring, bone rattling, uncomfortable trot imaginable.  That was because for her Magnat wasn’t yet balanced.  She didn’t yet understand how to use lateral flexions.  When she asked for the trot, she got the hollow-back, high-headed, stiff-legged trot that is all too often associated with Arabs.

As she learned how to use lateral flexions, Magnat relaxed and lifted himself up into a magic carpet ride.  The transformation was so black and white.  Ride him without asking for the lift that comes through the lateral work, and he would jar you right out of the saddle.  Ask for collection, and you were in heaven.

I taught Magnat lateral flexions before I began to explore clicker training.  He understood what I wanted and was a willing student.  Often people seek out clicker training because they are struggling with a horse.  That wasn’t the case with Magnat.  He could have gone through his whole life without ever needing to be clicker trained.

Before clicker training he was a good, solid-citizen riding horse, but that’s all he was.  Without clicker training he would have remained a nice, but ordinary horse.  With clicker training he shone.  I used to say he was a one in a million horse, but as the years went by and he just became more and more wonderful, not just to ride but to be around, I changed this to a one in ten million horse.

But I really shouldn’t be the one to describe what it was like to ride Magnat.  He was Ann’s horse.  Here is how Ann described him in a piece she wrote for my riding book:

“It’s always a dilemma to describe the experience of riding a truly extraordinary horse who has had the benefit of several years of clicker training.  Although many technical components go into the production of a really memorable ride, the irrepressible smile, the feeling of wonder, and expression of “WOW!!” that arises so regularly these days when I ride Magnat simply cannot be described in anything but poetic terms.

Yes, athletic talent and neuromuscular conditioning are part of what makes the ride so special; and yes, many hours of repetition over many months have gone into it; and yes, there is extraordinary lightness and balance.  But this is still far from the sum total of the experience.

Musicians have described a great melody as “ a journey which has many familiar passages, and which also contains some wonderful surprises which cause you to look at the world in a completely fresh way and gives new meaning to life.”  This is the best description I can find of what it is like to ride Magnat.

Magnat comes out into the arena every night feeling relaxed and eager to work.  He knows he will be appreciated and reinforced for his performance.  He knows that he is a respected dance partner and member of the team, not a mere subject of training.  This awareness and active participation on the part of the horse is one of the benefits bestowed by clicker training.

Our rides begin with warm-up exercises.  In the course of executing figures or doing simple softening and balancing work, I will pick up on the reins and suddenly feel the most indescribable lightness!!!

We may be in a super-buoyant, floating trot, a deliberate, balanced, ballet-like piaffe, or a heavenly rocking-horse canter.  Whatever it is, it will feel as though I am floating on a magic carpet.  He is so responsive in these moments.  It’s as if there are clear filaments of two-way communication from my finger tips to each of Magnat’s feet.  The slightest breath of a touch on one of those lines will be answered by an immediate floating response.

The musicians described music as a journey which “contains some wonderful surprises.”  That’s how I feel about riding Magnat.  Each ride contains surprises and special pleasures we have not experienced before.  It is like coming around a bend in the road and seeing a spectacular sunset, or a grove of awe-inspiring redwood trees, or the grandeur of an ancient castle, or the peace and cool of a Buddhist temple.  It truly takes the breath away!  It creates the deepest joy and aliveness in my heart!

These moments have totally changed the way I think about riding.  I feel such awe for Magnat and for what we create together.  In this moment I know, without the slightest doubt, exactly what I ride for – it is just this amazing feeling of total balance, effortlessness, lightness, and energy.  Magnat seems to feel the same excitement and joy, for he literally beams with pride, and recently he has begun uttering deep chortles in his throat at these moments.

I let the magic moment go on for as long as I dare, wanting it to continue forever, but knowing I must capture it with a click, before it disappears like a soap bubble or a delicious dream.

The click creates a pause in the music.  Magnat comes to a halt; I throw my arms around his neck in a huge hug, shower him with lavish praise, and empty my pockets of the most desirable treats!

The “WOW” feeling is definitely addictive.  The glow of the experience lingers and stays with me long after the ride.  Our whole horse-human relationship is one of appreciation, respect, and awe.

This is, for me, the great gift of clicker training.  When taken to the high-performance level, it creates transcendent moments of great joy”

Ann Edie – written in 2005 for “The Click That Teaches: Riding with the Clicker

Ann’s words express so perfectly why we have both worked to bring clicker training into the horse world.  If clicker training had just been about teaching tricks, and finding kinder way to get horses onto trailers or to stand for grooming, I would have moved on years ago.  Instead clicker training takes us on a journey to Joy.  It connects us deeply to our horses.

This is what Ann and I wanted to share when we wrote about our horses.  It is what I am celebrating in this twentieth year of “Clicker Training for your Horse”.  It is what we hope others will find as they explore clicker training: the great love and wisdom of horses.

Sadly we lost Magnat in 2011 not long after we moved to our new barn.  He had reached the grand age of 33, but it wasn’t enough.  We were both hoping he would be one of those Arabs who live to be forty.  Sadly he had cancer, and we had to say good-bye.

Ann has shared so generously her horses.  Magnat and the Icelandics have served as my school horses.  I’ve written about them, and they have appeared in the books and DVDs.  Sindri, our Icelandic stallion, was my riding horses.  Thank you Ann for that great pleasure and honor.

And then of course there is Panda, Ann’s guide horse.  Ann is a very private person, but she has shared Panda literally with the world.  We’ve had journalists from as far away as Japan and Australia come and do stories on her.  Ann has always been a good sport, and so has Panda!

What many people don’t know is Ann is one of the partners in The Clicker Center Barn. Without her help, the barn would never have been built.  Thank you Ann for this.  And thank you also for teaching me how to play scrabble and for occasionally letting me win.

Alex Panda scrabble 0038

Tactile Communication

JOY FULL Horses: Ten Things You Should Know About Cues: Number 9.) You Can’t Not Cue: Part 12 of 12

Adding the Click
In an earlier section I said we expand a field not from within, but from without.   Innovations come from bringing ideas together from different areas of study.  Poco gives us a wonderful illustration of this.  I was combining two things I knew worked well: body work and clicker training.  The click turned over responsibility for the process to Poco.  I was not simply a body worker doing something TO him.  Poco and I were involved in a conversation.  I was asking questions, but I didn’t have the answers.  Poco had to provide those.

I was asking him to release through the poll.  What could you find, what could you release that would let you melt into my waiting hands?  I felt the answers through my hands, and I acknowledged them with a click and a treat.

Tactile Communication
The release through the poll was just one area I wanted to explore with Poco.  I not only wanted to get to Poco’s ears.  I also wanted to get to his hindquarters, but he had huge “DO NOT ENTER” signs posted everywhere.

I don’t know the horses I meet at clinics well enough to know which are the ones who really do mean KEEP OUT and which ones are all bluff.  If you ignore the “warning signs” of the ones who mean it, you can get seriously hurt, so I respect the “signs” all the horses post.  I try not to bludgeon my way in.  I much prefer to have them take down the warning signs themselves and invite me into their personal space.

Cues Evolve
I wanted to reach Poco’s hips.  I began my approach with long arm strokes across his back.

Poco dropped his head marginally.  Click and treat.

You can’t not cue.

Cues evolve out of the shaping process.

I was on the look out for associations which could turn into cues.  I stroked his back, and Poco dropped his head.  Again, I clicked and treated.

Poco was a tuned-in clicker horse.  He caught on right away.  I was cueing head lowering.  Very neat.

I always chuckle when this sort of thing pops out.  It’s so easy to miss that first little head drop.  It’s so easy to think that all you’re doing is stroking your horse’s back.  But if you are on the lookout, you will spot that first little drop of the head.  Once you’ve captured it with a click and a treat, you can grow it into a more definite, predictable response.

Cue Communication
Poco now had a way to tell me when it was okay for me to move on.  I could stroke a little further back along his barrel.  If his head dropped right away, I knew he was at ease, and next time I would be able to ask for a bit more.

But if he hesitated, I knew I was asking for too much.  I needed to move back towards his withers and ask for less.  Poco very quickly realized he had control.  I wouldn’t go any further, any faster than he was ready for.

I built a small, predictable loop.  First, I stood in front of him and invited him to release forward and down into my hands.

Click and treat.

Then I moved to his side and stroked along his back.  He dropped his head.  Click and treat.

That sent me back to the start of the cycle, asking for a release of his poll.  As I invited him into my hands, I leaned directly over the plane of his face.  My chin at times rested against his ears. I could feel his worry melting away.  At least in this context, he was trusting me to keep my word. I was not going to hurt him.

Adding in Lateral Flexions

poco-stroke-back

I asked for a series of these lengthening through the spine.  Then I moved to his side, but now I was looking for the next level of criterion in the head lowering.  It was no longer enough that he was dropping his head.  Now I wanted him to drop his head AND give to the side I was on.  In other words I was looking for the same lateral give that I would have been looking for if I had had a rein in my hand.

At this point I could stroke along his top line and down the backside of his hindquarters.  He dropped his head, but I didn’t click.  He brought his head up.  I re-cued head lowering by stroking my arm over his hindquarters.  He dropped his head and gave slightly to the side – a lucky discovery in his part.

Immediately I clicked and treated.

I stroked again, and he dropped his head and gave into the left bend.  Click and treat.  What a smart horse!  Our communication was expanding.  Each criterion we added gave us another bit of “syntax” to weave into the conversation we were having.

Do Not Enter Signs
It was time to ask him if he was ready to take down another of his KEEP OUT – NO TRESPASSING ALLOWED signs.

This one was on his belly.  As I also stroked along his back with one hand, I tried stroking along his sternum with the other.  He hunched up away from my hand.  This reaction revealed the kind of tension that can turn into a buck under saddle.

I eased my hand back.  He could tell me when he was ready.  When he dropped his head, click and treat, I returned to the stretch forward.  I was telling him once again that I wouldn’t proceed without his permission.

Permission granted. He took down the first of his signs.  I could stroke his belly.  He signaled his content by dropping his head and giving into the bend.  Click, treat, and walk off casually to give him some break time for processing all the new information.

Microrhythms
Cues evolve in many ways.  When you open yourself up to listen to your horse, you will quickly discover what it means when I say you can’t not cue.

When you are in conversation with someone, there are always subtle cues that are being exchanged.  We nod our head, we smile, we add in a quick word.  These simple gestures become cues that keep the conversation going. We notice them when they are absent.  When you talk on the phone and the other person doesn’t say anything in the pauses you provide, you start looking at your phone to see if the call has been dropped.

Poco and I were creating our own subtle micro rhythms.  We were understanding that our actions had influence.  I could cue him, and he could respond by cueing me.  He was showing me so clearly not only that cues evolve out of the shaping process but also that you can’t not cue.  The exchange of cues goes on even when we are not consciously aware of it.  When I turned our session into play time, I simply made these cues easier to spot.

Review
We’ve covered a lot of ground in this unit.  These videos will give you a quick review of the work I did with Poco.  The first clip was taken during the second session I did with him.  I am asking him to target his nose, then his chin, and finally I can rest my head against his forehead – click and treat.  (refer back to Part 10 of 12: Stepping Stones https://theclickercenterblog.com/2016/09/18/)

 

Next came adding in duration by clicking on the exhale of his breath.  (refer back to Part 10 of 12: Stepping Stones https://theclickercenterblog.com/2016/09/18/)

The next video shows the release of the poll and the building of head lowering. (refer to Part 11 of 12: Moving On https://theclickercenterblog.com/2016/09/19/ and this current post.)

This final video in this series shows the taking down the “Do Not Enter”signs.  I’m coupling the stroking along his back and belly with head lowering.

This ends this section: Number 9: You Can’t Not Cue.

Coming Next: Ten Things You Should Know About Cues: Number 10: Playing with Chains 

Remember, if you are new to the JOY Full Horse blog, click on the JOY Full Horses tab at the top of this page to find the full table of contents and links to each of the articles I have published so far.

I hope you will want to share these articles by sending links to this blog to your friends.  But please remember this is copyrighted material.  All rights are reserved. Please do not copy any of the “JOY Full Horses” articles without first getting written permission from Alexandra  Kurland, via theclickercenter.com

Also note: these articles are not intended as an instruction guide for introducing your horse to clicker training.  If you are new to clicker training and you are looking for how-to instructions, you will find what you need at my web sites:

theclickercenter.com                    theclickercentercourse.com